剧情介绍
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
时尚的妈妈来吧爱的盛宴主人到妻子姐姐的制服诱惑美妙的假期美人很高兴见到你朋友漂亮好女孩学校里的私会见面好奇心很重的美女职业不同的场所酒妹的情敌男女的对话男友的不伦出轨你爱的时候年轻人的美貌妈妈美丽2008老姐想疯了教育很深的男人姐弟一起沐浴交换吉娃娃集体旅行后面深一点女大学生的生活女人的妇人之见瀑布下的中年妇女妻子的第二次出轨粉丝的会面视频董事长的秘书第一次拍摄打更人的巡逻日记出来卖的女人残花败柳录尝试偷欢的秘密超级女护士2不明身份的女人强力侦察队委托的大人物善于交往的女人上上的男女往我脸上吐口水危重的性交为了谁的爱情维系的关系委托人和我小鸭图的形象新村情侣新的爱虚伪的表现 展开全部
时尚的妈妈来吧爱的盛宴主人到妻子姐姐的制服诱惑美妙的假期美人很高兴见到你朋友漂亮好女孩学校里的私会见面好奇心很重的美女职业不同的场所酒妹的情敌男女的对话男友的不伦出轨你爱的时候年轻人的美貌妈妈美丽2008老姐想疯了教育很深的男人姐弟一起沐浴交换吉娃娃集体旅行后面深一点女大学生的生活女人的妇人之见瀑布下的中年妇女妻子的第二次出轨粉丝的会面视频董事长的秘书第一次拍摄打更人的巡逻日记出来卖的女人残花败柳录尝试偷欢的秘密超级女护士2不明身份的女人强力侦察队委托的大人物善于交往的女人上上的男女往我脸上吐口水危重的性交为了谁的爱情维系的关系委托人和我小鸭图的形象新村情侣新的爱虚伪的表现 展开全部